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Goldman 36

NOTES

"New Murals in Los Angeles: Federal Ideals and the Regional Image," Journal: The Los Angeles Institute of Contemporary Art, No. 11 (May-June 1976): 18-24.

8. See Chapter 6, "The Controversy Over the Rincon Annex Murals," in Gladys M. Kunkel, The Mural Paintings of Anton Refregier in the Rincon Annex of the San Francisco Post Office, San Francisco, California, pp. 54-69; Steven Lafer, "Victory for Historic Refregier Murals," People's World, March 24, 1979; the closing for almost 20 years of San Francisco's Coit Tower as a result of vandalism against political motifs in the 1934 murals by 20 artists: see New Deal Art: California, p. 75, and Pele De Lappe and D. Imshenetsky, "Whatever Happened to Victor Arnautoff?" People's World, May 14, 1977, p. 10. Ironically, Arnautoff's WPA frescoes at San Francisco's George Washington High School were destroyed in 1972 as a result of student protests "against the depiction of Blacks and (American Indians) in demeaning fashion" and repainted by Black artist Dewey Crumpler. Other Sources: An American Essay, p. 26.  See also Francis V. O'Connor (ed.) The New Deal Art Projects, pp. 34-35; and McKenzie, The New Deal for Artists, pp. 110-112 - to mention but a few.
9. F. Jack Hurley, Portrait of a Decade, p. 144.
10. Marlene Park, "City and Country in the 1930s: A Study of New Deal Murals in New York," Art Journal 34, No. 1 (Fall 1979): 37.
11. McKenzie, The New Deal for Artists, p. 108.
12. IBID, p. 110.
13. See Leslie Judd Ahlander, "Mexico's Muralists and the New York School," [[underline]]Américas[[/underline]] 31, No. 5 (May 1979):18-25; Greta Berman, [[underline]]The Lost Years: Mural Painting in N.Y. City Under the WPA Federal[[/underline]] Art Project, 1935-1943; Shifra M. Goldman, [[underline]]Contemporary Mexican Painting in a Time of Change[[/underline]], pp. 5-7; Joshua C. Taylor, "A Poignant, Relevant Backward

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