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Goldman  39

NOTES

M. Sherman, The Course of Mexican History, p. 489.
31. McWilliams, North From Mexico, p. 203
32. Rodney Anderson, "The Historiography of a Myth," in American Labor in the Southwest, p. 175.
33. McWilliams, North From Mexico, p. 203.
34. All information about Cortéz derives from a resumé compiled by the artist, and a taped interview with the artist conducted in Chicago on behalf of the author by Irwin Weinberg, May 1982.
35. Foster (ed.) American Labor in the Southwest, p. 159.
36. See "Ideology and Tactics," Foner, History of the Labor Movement in the United States, Vol. IV, pp. 147-157.
37. See Lisa Puyplat, "Plakatkunst der Chicanos," Tendenzen 23, No. 139 (July-September 1982):75. The poster Black to Roots Music Festival 
The poem on Montoya's poster is García's, erronously attributed to Montoya, was written by Carlos Gutíerrez Cruz, assistant to Diego Rivera who, it is said, painted it into a scene of miners.
38. A good case has been made by sociologist Mario Barrera that racism and classism are intimately related in the super-exploitation of Mexican American and Chicano workers as an "internal colony," a condition Chicanos have shared with other racial groups. See Race and Class in the Southwest.
39. ← Siqueiros' murals are discussed in detail in Goldman, "Siqueiros and Three Early Murals in Los Angeles."
40. McWilliams, North From Mexico, p. 194.
41. Delano, California: Farm Worker Press, Inc., 1966.
42. Los Angeles Times journalist killed by a police tear gas projectile during the 1970 anti-Vietnam War Moratorium organized in a Los Angeles Mexican neighborhood.
43. Laying 'Dobes (n.d.) is in the collection of the Museum of New Mexico

Transcription Notes:
9/11 - also per instructions ignore indents, Do not indicate font style, underlined, or bolded or italicized text. I don't know about #37