Viewing page 1 of 16

The Phillips Collection
PRINTS: WASHINGTON
The Washington Print Club

JURIED EXHIBITION
PRINTS: WASHINGTON is a juried exhibition jointly organized and sponsored by The Phillips Collection and the Washington Print Club. The exhibition will be on view SEPTEMBER 17 - OCTOBER 23, 1988, at The Phillips Collection, 1600 21st Street, NW, Washington, DC. Major funding for the exhibition has been generously provided by Euro Motorcars, headquartered in Bethesda, Maryland.

JURORS
Alan Fern
Director, National Portrait Gallery

Willem de Looper
Consulting Curator, The Phillips Collection

Michael Mazur, Artist

ELIGIBILITY
Open to all artists residing or working in the greater Washington area, including: Washington, DC, the counties of Arlington, Calvert, Charles, Fairfax, Frederick, Loundoun, Montgomery, Prince George's, Prince William, and Stafford, and the cities in those counties.

Members of the PRINTS: WASHINGTON committee are not eligible.

GENERAL
No fees will be charged for entering. Works accepted will remain in the possession of the sponsors until the close of the exhibition. The sponsors will be responsible for framing works for exhibition. No sales of works will be made by the sponsors; the exhibition catalogue will list the addresses of the artists or their agents. Additional information may be obtained by telephoning Ms. Linda Johnson, Assistant Curator, The Phillips Collection, (202) 387-2151.

REQUIREMENTS
Works entered must be original prints, including monotypes, but excluding wholly photographic prints and photogravures. Print must have been created after January 1, 1986.

Prints must be submitted unframed and matted in a hinged window frame mat. (The only exceptions allowed are when the frame is an integral part of the work or is essential for safe handling of fragile work.)

5ff
3fT
Please note that the language and terminology used in this collection reflects the context and culture of the time of its creation, and may include culturally sensitive information. As an historical document, its contents may be at odds with contemporary views and terminology. The information within this collection does not reflect the views of the Smithsonian Institution, but is available in its original form to facilitate research. For questions or comments regarding sensitive content, access, and use related to this collection, please contact transcribe@si.edu.