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His first original work in engraving, when, instead of copying the work of other, he engraved directly from a painting, was the head of a beggar, known as "Old Pat." This painting is by Waldo, is strongly painted, and now belongs to the Boston Athenæum. It is usually called "A Beggar with a Bone," and Durand's engraving was so well executed as to call forth the admiration of Col. Trumbull, who had, about that time; tried to engage Heath of London to engrave his "Declaration of Independence," but had declined to do so on account of the extravagant charge. He then applied to Durand, who was willing to undertake it for $3,000, half the amount which Heath had demanded. Maverick wished to be joined in the commission, but Trumbull wisely demurred. Maverick objected, was offended, and the partnership was dissolved. Durand was now his own master, and gladly received the commission. He was chiefly engaged on this large plate for three years, and the result was the masterpiece we know so well. In it he has preserved the likenesses with great fidelity, combining a free and vigorous use of the lines with a broad and rich effect of light and shade most attractive to the eye. It established his reputation as a master of the art. Durand always spoke gratefully of Trumbull, who thus recognized and encouraged 

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him. Trumbull painted his portrait, which is in possession of the family.

In the collection of the engraving by Durand belonging to his son, the various stages of this print can be seen, from the first outline to its final perfection, showing the gradual process of the patient and skilful hand—an invaluable lesson of the engraver's art. Trumbull was greatly please. In a letter to the Marquis de Lafayette, dated New York, October 20, 1823, he writes : "I have sent to the care of Wells, Williams, & Co., bankers in Paris, who will forward it to you, a small case containing a proof impression (avant la lettre) of a print which has been engraved here from my painting of the Declaration of Independence, by a young engraver, born in this vicinity, and now only twenty-six years old. This work is wholly American, even to the paper and printing, a circumstance which renders it popular here, and will make it a curiosity to you, who knew America when she had neither painters nor engravers, nor arts of any kind, except those of stern utility."

The name of the engraver is not given, probably because his signature was on the plate, with that of Trumbull, as is usual in proofs.

After this Durand executed many small engravings for annuals, then coming into fashion. Most of these