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Take 8 (?)                              15

Ques: You know where you were? You were talking about how I disappeared and the painting resumed you said. Start that again. 

Leo: I can say that again sort of....over that a little bit. After you left the person up on the roof completed the painting of the skylight. And that was the end of the, the show. I spoke to Miro right after that. There was a moment of silence and he was very, very touched by it, and he said that in a long time he hadn't seen something that had touched him so deeply. It was not just mere words here; one could see it in his face the impression (?) that it had made on him. Then well.....

Ques: You were talking about the theatre really before. What are your thoughts about this whole involvements of Bob's in the theatre business. You talked about that a little bit but... You have something to say about this. I mean something in terms of your own feeling about it.

Leo: Well some people think that this takes him away from painting. A few perspective people who really should know better say that and feel that. I do not have that feeling at all. I think that this helps him very, very much to solve terribly important problems in his art and that...apart from the fact that these performances, this theatre of his is important in itself, it will lead to other important manifestations in artistic...in other artistic activities. So all this talk about Rauschenberg having