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____, Photo of "Weeds" with lengthy caption, Quadrille, Winter, 1986, v. 19, no. 2, p. 12.
Howard Pousner, "Artist Hopes Tree Sculpture to Leave a Lasting Imprint at Piedmont Park," The Atlanta Constitution, April 5, 1985, p. 14A.
____, "Arizona State University: Other Exhibits Explore Blacks' Artistic Past Present," The PhoenixGazette, Sat., Feb. 15, 1986, p. 21.
Marge Bulmer, "The Gardens of Winter," Artweek, Feb. 11, 1985.
Haleemon Z. Anderson and Linda McLaughlin, "Nature's Design Inspires Artist," Los Angeles City College Collegian, Feb. 8, 1985, v. CXII, no. 2, p. 5.
Brent Novick, "Environment Becomes Art Medium," Daily Sundial, Feb. 7, 1985.
____, "Maren Hassinger," The International Review of African American Art, v. 6, no. 1, 1984, pp. 34-41.
Amy Slaton, "Sticks & Stones at Kenkeleba," East Village Eye, Nov. 1984, p. 35.
Suzanne Muchnic, "California Afro-American Museum Striving to Show High Profile," Los Angeles Times, calendar section, Nov. 10, 1984, pp. 1, 7.
Robert L. Pincus, "A Downtown Building's Last Hurrah," Los Angeles Times, May 10, 1984, Part VI, p. 2.
Judith Hart-Stone, "An Artist Looking for Dangerous Ground," The Museum of California, Nov./Dec., 1982.
Black Currant, Vol. 2, No. 1, Published by Just Above Midtown, Inc., New York, NY, Fall, 1982.
Constance Mallinson, "Nature Gone Mad," Images & Issues, Nov./Dec., 1982, p. 53.
D. Francine Farr, "Civilization and Nature," Artweek, Sept. 4, 1982.
Suzanne Muchnic, "Creativity Transforms Century Freeway Ruins," Los Angeles Times, Sept. 4, 1982, Part V, pp. 1, 2.
Christopher Knight, "Afro-American Abstraction: More Abstract than African," Los Angeles Herald Examiner, July 14, 1982, p. D6.
Katherine Hart, "Gallery Six - Maren Hassinger: On Dangerous Ground," Los Angeles County Museum of Art, brochure, May, 1981.
William Wilson, "Of Cables & Collages in Artists' Wonderland," Los Angeles Times, May 27, 1981, Part VI, p. 1.
Judith Wilson, "Advanced Placement Tests," The Village Voice, Dec. 24, 1980, p. 79.
William Zimmer, "Not So Grand Central," The Soho News, Oct. 1, 1980, p. 64.
Kay Larson, "Beached at Battery Park: Creative Time's Second Biennial Beach Art Show," The Village Voice, July 23-29, 1980, pp. 3, 71.
Judith Wilson, "Afro-American Abstraction," Art In America, Summer, 1980.
Lawrence Alloway, "Afro-American Abstraction," The Nation, April 12, 1980.
Carrie Rickey, "Singular Work, Double Bind, Triple Threat," The Village Voice, March 3, 1980, p. 71.
____, "Sculptor's Trees Are Forged," Independent Press-Telegram, Combined News Services, Dec. 3, 1979, p. A2.
Mark Stein, "Steel Trees Grow Along Freeways," Los Angeles Times, Nov. 22, 1979.
____, "I Think That I Shall Never See...," Evening Outlook, Oct. 18, 1979, p. B1, photo by Bob Smith. 
Dinah Portner, "Evidence of Illusion," Artweek, Nov. 11, 1978.
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