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LOGGER'S SHEET 1111[circled] LOGGER: Lori Taylor REEL NUMBER: 7 Stage: AFS DATE: 6/26/1988 PRESENTOR: Tim Lloyd GROUP NAME: Crossing the line: folk Artist Region/Style: Performer(s) Instrument/Occupation Steven Wade (banjo player - Wash, DC) Cliff Hardesty (fiddler - West Lafayette, OH) Howard Sacks (folklorist - Gambier, OH) musican Contents Intro - Which lines are crossed by these 3. 1. C.H[underlined] "Turkey in the Straw"[underlined] CH[underlined]-fiddle, SW[underlined]-banjo, HS[underlined] guitar 2. CH[underlined]- started in fiddle contests 1969-meeting people. how he & HS[underlined] met (8-9 yrs ago). 3. HS[underlined]-he does a lot of work around where he lives -~ 4. cross the line into[unterlined] his community (through music it was easier) not the Glassie type (see last session) of come in, then leave. 5. Story of "Turkey in the Straw" 6. CH[underlined] -tells the story of his friend - Jim Mershon. CH&HS[undrlined] - play ("Blue Danube") "Over the Waves" 7. SW[underlined] - how did he go from the learning & collecting to the Arena Stage? 8. example of Elvis crossing traditions (lines between them) 9. to play the songs he knew. 10. banjo from slavery - song from the mountains (white/black?) "Cuckoo Bird"[underlined] with vocals. 11. line between living and dead. 12. music from an old source - What will keep it alive? 13. HS[underlined]- records, crossing into new communities, contests & dances, CH[underlined]-effect of contests. HS[underlined]- creating new areneas for people to come together. SW[underlined]- influences aren't always linear all play [by Tony Cllis"][crossed out] "Sour Wood Mountain"