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               LOGGER'S SHEET
                             1111[circled]
LOGGER: Lori Taylor
REEL NUMBER: 7    Stage: AFS
DATE: 6/26/1988
PRESENTOR: Tim Lloyd
GROUP NAME: Crossing the line: folk Artist
Region/Style: 
Performer(s)        Instrument/Occupation
Steven Wade (banjo player - Wash, DC)
Cliff Hardesty (fiddler - West Lafayette, OH)
Howard Sacks (folklorist - Gambier, OH)   musican

Contents Intro - Which lines are crossed by these 3.
1. C.H[underlined] "Turkey in the Straw"[underlined] CH[underlined]-fiddle, SW[underlined]-banjo, HS[underlined] guitar
2. CH[underlined]- started in fiddle contests 1969-meeting people. 
how he & HS[underlined] met (8-9 yrs ago).
3. HS[underlined]-he does a lot of work around where he lives -~
4. cross the line into[unterlined] his community (through music it was easier) not the Glassie type (see last session) of come in, then leave.
5. Story of "Turkey in the Straw"
6. CH[underlined] -tells the story of his friend - Jim Mershon.
CH&HS[undrlined] - play ("Blue Danube") "Over the Waves"
7. SW[underlined] - how did he go from the learning & collecting to the Arena Stage?
8. example of Elvis crossing traditions (lines between them)
9. to play the songs he knew.
10. banjo from slavery - song from the mountains (white/black?) "Cuckoo Bird"[underlined] with vocals.
11. line between living and dead.
12. music from an old source - What will keep it alive?
13. HS[underlined]- records, crossing into new communities, contests & dances,
CH[underlined]-effect of contests.
HS[underlined]- creating new areneas for people to come together.
SW[underlined]- influences aren't always linear
all play [by Tony Cllis"][crossed out] "Sour Wood Mountain"