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157 LOGGER'S SHEET LOGGER: Lori Taylor REEL NUMBER: 9/9 STAGE: AFS DATE: 7/3/1988 PRESENTOR: John Vlach GROUP NAME: Festivals: Their Folklore and Their Influence REGION/STYLE: [[2 columned table]] | PERFORMER(S) | INSTRUMENT/OCCUPATION | | --- | --- | | John Vlach | (Folklorist - GWLL Wash, DC) | | Bob McCarl | (State Folklorist - Boise, ID) | | Joe Wilson | (Folklorist - NCTA - Wash, DC) | | Charlie Camp | (Folklorist - umd. -College Park, MD) | Sign Language Interpretation - Hank Young. CONTENTS Intros- 1. JW - Festivals as a way of letting emotions most traditional festivals based in some long standing local 2. tradition 3. BMcC - "Irregularities" of festivals CC - Influence of hootenany era - 4. Generation of folklorists introduced to the subject through festivals, hootenanies 5. BMcC - Credit a mentor - Archie Green The labor sections of festivals - the bomb scare (zealous volunteer) 6. CC - Sheep shearing - watered by another zealous volunteer 7. Bob Cameron (writing history of the festival) questions JW - Changing direction, evolution of festival, 8. his "special protector" - great coincidences in his planning/organizing festivals 9. JV - Archie Green... More connections (his 1st job was CCC) 10. Mice Licht - Question: CCC Camps, music 11. CC - 2 different audiences for "folk festivals" - synthetic events, and traditional festivals - what is needed survives 12. -changing ideas of what is presentable 13. JW - Those things which go over best are used within the community as entertainment or performing arts. Ends.