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Page 3 "The Importance of the Decorative Arts in African American History," Foreword to Jacqueline Tobin and Raymond G. Dobard, Hidden in Plain View: A Secret Story of Quilts and the Underground Railroad, New York: Doubleday, 1999, pp. 5-6. "Jazz and African American Art of the 1960s," International Review of African American Art, Vol. 14, No. 1, 1997, pp. 51-53. "Defining the African-American Experience through Discursive and Non-Discursive Means: Exploring the Art of Margaret Walker Alexander and Jacob Lawrence," Jacob Lawrence Community Artist, Jackson, Mississippi: Margaret Walker Alexander Research Center, 1997, pp. 17-22. "Telling, Inventing, and Reinventing: The Art of William Anderson and Paul Gary," Lest we Forget, Atlanta, Georgia: Morehouse College, 1966, pp 1-5. "Making Choices, Making Images: The Art of Stephanie Pogue," The Howard University Magazine, Spring, 1996, pp. 14-18. "Elizabeth Catlett: Meaning and Metaphor," In Struggle and Serenity: The Visionary Art of Elizabeth Catlett, New York: The Caribbean Culture Center, 1996, pp. 21-25. "The Changing Same: Spiral, the Sixties and African American Art," A Shared Heritage: Art by Four African Americans, Indianapolis: Indianapolis Museum of Art in cooperation with Indiana University Press, 1996, pp. 147-158. "Thinking and Living Color: Conversations with Abstractionist Felrath Hines," Felrath Hines, Indianapolis: Indianapolis Museum of Art, 1995. "Down Home and Uptown: Archibald Motley, Jr., and the Evolution of African American Art," Legacy, a supplement to American Heritage, February/March, 1995, pp. 18-24. "Black Colleges and the Development of an African American Visual Art Tradition," The International Review of African American Art, Vol. 11, No. 3, 1994, pp. 30-38. "Mediating the Natural: Craft Art and African American Cultural Expressions," The International Review of African American Art, Vol. 11, No. 2, 1994, pp. 24-27. "Foreword," Samella Lewis, African American Art and Artists, Berkeley, California: University of California Press, 1994, pp. ix-x.
