![Transcription Center logo](/themes/custom/tc_theme/assets/image/logo.png)
This transcription has been completed. Contact us with corrections.
page 6 "Design in Studio Art," The Design Consortium-An Exhibition and Symposium, Florida A&M University, Tallahassee, Florida 1986. "Art and Alienation: An African American Perspective," Mid-America College Art Association, Indianapolis, Indiana, 1986. "Black Art of the 1960s--A Perspective on Art and Social Change," Fine Arts Festival, Alabama A&M University, Normal, Alabama, 1985. "Art as an Agent for Social Change: Black Art of the 1960s," Louisiana Tech University, Ruston, Louisiana, January 24, 1984. "The National Conference of Artists: Some Thoughts on the Black Art World," 25th Annual Convention of National Conference of Artists, Chicago, IL, march, 1983. "Art of the Harlem Renaissance," 23rd Annual Meeting the National Conference of Artists, Dallas, Texas, April, 1981. "Pan-African and Third World Art--Changes in the Aesthetic Order," National Meeting of the Society of Ethnic and Special Studies, Los Angeles, California, October, 1979. "Positives Negatives and Negatives Positives," Eighth National Convention of the Popular Culture Association, Cincinnati, Ohio, April 1978. "The Radial-Stair Pyramid: Further Reflections on Mayan Architecture, local chapter, American Anthropological Association, Edwardsville, Illinois, May, 1978. "Symbols and Images in Afro-American Art," 19th Annual Convention of the National Conference of Artists, New York, April, 1977. SELECTED LECTURES AND PANELS Howard University Coordinator, 10th Annual James A. Porter Colloquium, co-sponsored with Anacostia Museum and Center for African American History and Culture, brought together artists, art historians, scholars from related disciplines to examine the theme: "Spirituality in African American Art and Culture." "Connecting Roots: Hayward L. Oubre at Alabama State, 1956-1960," Panelist, Studio Museum in Harlem, May 15, 1999.