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Page 8 "Recent African American Art and Technology," presentation, 80th Annual Meeting of the Association for the Study of Afro-American Life and History, Philadelphia, Pennsylvania, October 5, 1995. "Quality in Studio Art Programs," panelist, National Association of Schools of Art and Design (NASAD) Kansas City, Missouri, October 20-22, 1995. "African American Representation in Nineteenth Centu4ry Art," Museum of American Art of the Philadelphia Academy of Fine Arts, December 3, 1995. "African American Modernist Art: Felrath Hines and the Spiral Group," Martin Luther King Library, Washington, D.C., February 15, 1995. Coordinator, "Sixth Annual James A. Porter Colloquium on African American Art, Howard University, April 21-22, 1995. "The Harlem Renaissance and the WPA" panelist, A Salute to Howard University Alumna Georgette Seabrooke Powell, sponsored by the Anacostia Museum and the Howard University Art Department, May 19, 1995. "African American Art and Identity," lecture, Department of Art and Philosophy, Southern University in New Orleans, Louisiana, March 14, 1994. "Freedom as Metaphor," Passages to Freedom: The African American Paradigm, a series of programs sponsored by The Moorland-Spingarn Research Center, Howard University, February 17, 1994. "African Retentions in African American Crafts," Toward Definition: An Examination of African American Craft Art, a national symposium hosted in Dayton, Ohio by the National Afro-American Museum and Cultural Center, Wilberforce, Ohio, November 12-14, 1993. "The Art of Elizabeth Catlett and Francisco Mora," Polk Museum, Lakeland, Florida, December 7, 1991. "The African American Aesthetic and Postmodernism," respondent, a symposium jointly sponsored by the Howard University Art Department, the Hirshhorn Museum, and the National Conference of Artists, Hirshhorn Museum and Sculpture Garden, Washington, D.C., March 30, 1991. "Elizabeth Catlett and Francisco Mora and their Contemporaries," The Mississippi Museum of Art, Jackson, Mississippi, October 18, 1990.