Viewing page 19 of 51

This transcription has been completed. Contact us with corrections.

6.

Now, all such "negative" - brutally painful experiences took place in New York and Dusseldorf,[[strikethrough]] and [[/strikethrough]] Leverkusen, Germany, also in Switzerland and Paris, including pleasure cars, airplanes, trains, [[strikethrough]] and also [[/strikethrough]] walks, restaurants, and hotels, with repetition means 24 Hours during day and night

Whether all these experiences were "A SELF REFLECTION" or if I was thrown into a scientifically advanced technological program achieved electronically or otherwise through tapes, etc. by means of "controlling" my mind from brainwashing to insanity, to give you an example, or if they were suggestively pyscological [[psychological]] methods, or art taxation or acutioneers [[auctioneers]] games or other reasons, this I do not know. I would appreciate to be told.
  
I was living in extreme isolations and trying to work for many years in New York and later abroad. In New York I felt very strongly ektopised meaning thrown out from everything and also I was facing inhuman behavior [[strikethrough]] from [[/strikethrough]] and [[strikethrough]] very [[/strikethrough]] provacative [[provocative]] hehavior [[behavior]] from neon workers in having my work made, That only in wonderful New York, air. difficulties with other fabricators. [[strikethrough]] example of [[/strikethrough]] Works that I was faced with such difficulties in their making were a small study for neon automat, large automat and the sculpture entitled "Reality and Illusion". Now, was that a way to quote from my own lecture "a way of working out values" that I don't know.

I would appreciate to be told -- I can assure you, however, that during these years I felt the most deathly depression. "Speedy" as taped sounds daily and during the night that lasted for several years almost continually.

I SINCERLEY [[SINCERELY]] DO NOT BELIEVE THAT EITHER GOVERNMENTS OR THIER [[their]] BUREAUS OR MUSEUMS OR [[strikethrough]] OTHER [[/strikethrough]] FOUNDATIONS OR OTHER CULTURAL INSTITUTIONS HAVE THE RIGHT OF SUCH EXPLOITATION AND FORCING SUCH CONDITIONS IN AN ARTISTS' STUDIO OR IN ANY HUMAN BEING. MUCH LESS ART GALLERIES OR DEALING PRIVATE DEALERS.

Experiences were also resembling performances from Iphigenia In Aulis to Medea.

*Euxvo2sZn -