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Typed, 1/5/60

1/24 #5- "Dissimilarity" as an ideal in sculpture
as exemplified in the work of the famous British sculptor, Henry Moore. 

1/31- #6- 3- dimensional form in early Renaissance painting, exemplified in the early concept of light-and-shade modeling of the figure. Graphic demonstration by L.F. the Flemish master 

2/7- #7- Rubens' elaboration of the Renaissance concept of tone modelling . Graphic demonstration by L.F. 


2/14- #8- Caravaggio, Italian master of realism and his methods of giving 3-dimensional reality to form. 

2/21 #9- The Italian Mannerists and their strange concept of form, a new idea developed by some of the followers of Michelangelo + Raphael

2/28 #10- Renoir's -concepts of  form- [[strikethrough]]how [[/strikethrough]] His [[strikethrough]]love of[[/strikethrough]] 
varying expressions of sculptural form thro' paint.