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53

modified Megelp, are, that the paint [[strikethrough]] s [[/strikethrough]] works in the most agreable manner [[strikethrough ]] , [[/strikethrough]] under the Brush, applies without any difficulty to the previous painting, whether recent or old; and, always drying with a lustre, every color remains [[strikethrough]] is [[/strikethrough]] exhibited correctly, so as to present no difficulty in the prosecution of the work from day to day. Instead of drying more rapidly, the colours remain longer during the day, in a fit state for every desireable manipulation, to which their texture invites, with a full impasto. It may be diluted with Spirits of Turpentine and Sandarac oil when Necessary for the sharp touches of linen, &c. When desired, a little exposure to the Sun will hasten the drying, and amalgamate the successive Coats of Paint.

Flattery.
 
It is nearly of as much importance to the Painter to understand his friends and his Critics, as to understand the nature of his Colours - not to be led astray by either. Depressed by neglect & wanting the stimulus of Approbation he cannot be expected to develope his powers with sufficient energy & confidence, therefore requires occasional commendation, if it comes in an honest shape. On the other hand, complimented too warmly by his Admirers, or flattered by those who would play upon his vanity, he may be blinded to his faults, and be made less capable of that constant improvement which is necessary in an Art which has no limit to excellence, and allows no cessation of effort.
 
Sir Thomas Lawrence, if not a flatterer, was never disposed to offend by a difference of opinion. To the remarks of others his usual saying was "exactly so Sir" - which consequently became his nickname. Mr. West's amiable temper was equally indulgent & complimentary. He introduced Allston to me, previously designating him as a "heaven-born Genius" - And to Allston he spoke of me as "Prodigy of Genius" - thus invalidating the excellent saying of Sir Joshua Reynolds that "Nothing is denied to well directed industry." It was less equivocal in a Drawing Master, when shown a performance by a self complacent pupil, to commend it by saying "Well now, that looks far off at a distance."