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your conception of format for the entire magazine though. I could not know this anyhow.) Photographs of my efforts are a bitch to deal with all the way down the line. My own photographs, taken with my broken Nikon, are the best but lousey. A professional job, like that of Rudolph Burkhardt is considerably worse. Therefore, with the exception of Miss Lambert's beautiful portrait, all the rest of the prints are mine. They need some felicitous retouching to bring out, ever so slightly, the "white" shape of the fluorescent tube. (The print of "Monument 7 for V. Gatlin" is very, very close to being relatively right.) Also, some extraneous shadows of electric chords and the like, as in the prints of "icon 1" and "the vertical and horizontal cool white" from Philadelphia need to be toned down. Please follow the credits on the backs of the prints carefully because, as in the Philadelphia and New York photographs, the work will vary according to installation in each place.