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"The vertical and horizontal cool white" was ordered to fit half the entry arch in Philadelphia which was as much space as I was allowed to use in that situation. "The Monument 7" of the Institute of Contemporary Art had a slightly different interior development when I put it up later on a smaller wall in the Green Gallery. Please give Gretchen Lambert full credit (and dating) for her print. I would like to be able to insist that you use all the prints since I selected them as a unit of near sufficient explanation for what I have been up to since 1959. I do not care if you have to reduce them in size to fit. [[strikethrough]] but [[/strikethrough]] Please keep them in chronological order. About the individual prints: 1. Miss Labert's portrait needs no criticism 2. "Mira, mira" is a bit too harsh in contrast but despite that and the slight parallax distortion of the rectangular structure, it is most accurate. 3. The photograph of "icon 1" was made with a single spot light employed. Its bad. The contrast of the red fluorescent light with the cadmium
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