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Would you allow the whole to appear anonymously as something like: "five diagrams from Don Judd chosen from an unknown artist's holdings"? It smells right to me. I like no name and the drawings off magnificently on their own. My opinion: Perhaps only Poonsie's graph rhythms (because they are original on their own) are better drawings among the young people today. (also, they question the quality of the idea of what [[strikethrough]] is [[/strikethrough]] a drawing is.) (Don and I became friendly only after we saw each other's effort. Actually, we met through Bruce Glaser because he reported to me that we were saying some of the same things about working intentions. This was 1962.)

I've finished the scotch.

best regards to you
Dan F.

P.S. I would like to let it happen— not tell Don —if you approve.

I have to say it too. I was the first person to show one of those damned Poon's rambles in the show I hatched at the little Kaymar, and I'm not in show biz. Even Poons didn't want it out. (I had my doubts too because Larry was so damned hesitant.) I still have that paper.

Transcription Notes:
. first word on fifth line "smells" or "smelle" ?