![Transcription Center logo](/themes/custom/tc_theme/assets/image/logo.png)
This transcription has been completed. Contact us with corrections.
COMMENT : I like the acrylic medium for many reasons (a late - 1965 - but enthusiastic convert). Fast drying permits taping of adjacent areas within the half hour, a great advantage over oil color or enamel. It is easy to obtain an immaculate, "dry" or matte surface with acrylic; at the same time, the paint film seems to me to be tougher than oil as I was using it (without added medium), and less easily damaged. I make these comparison with oil colors because, about 1959, I had developed a method of using regular tubed oil paints for hardedge painting which gave an even matte surface when dry; the disadvantages were the slow drying, and the fragility of the paint film. "ART HISTORY" : EXHIBITIONS : Museum of Modern Art, New York; Brooklyn Museum; Whitney Museumof American Art; San Francisco Museum of Art; Art Institute of Chicago; Pittsburgh International; Sao Paulo Biennial; University of Illinois, Urbana; Denver Museum; etc., etc. Collections: San Francisco Museum of Art; Los angelesMuseum; Santa Barbara Museum; Joseph H. Hirshhorn Coll.; Lytton Savings and Loan; Lansing Sound, Los Angeles; Mr. and Mrs. Sidney F. Brody; Edward G. Robinson; Dana Andrews; Moses Lasky, San Francisco; Mrs. Robert Benjamin, New York; Mr. and Mrs. James Le Pere, New York; Mr. and Mrs. C. M. Weld, Mass.; etc., etc. Note: Since my new gallery connection is still in negotiation, and will be for Western representation only, I think it will be best to simply credit "the artist" for this material. Both paintings are still in my possession.