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INT.
Well, in the films where you have, for example, the perforated numbers and the unprocessed leaders and things like that, do you like those, [[strikethrough]] bec [[/strikethrough]] do you leave them in there because they call attention to the film itself.

ANDY
Yeah, the beginnings are, well the reason I left in those numbers and dots and things in the beginning of the movies were because you have to stop the camera every three minutes and put another roll of film so that if you began cutting the first reel to the second reel they would [[strikethrough]] no [[/strikethrough]] never hit. By having the white perforation and the white leader, you gave enough time to sort of fix the idea that the film was going on to the second roll. If we had to cut this together it would be noticeable that there was like five minutes in between or two minutes in between or something, unless you had two cameras. That was the reason for the whole. 

INT.
But there also is this nice(?) thing that you talked about before about indifference to the idea of technical perfection. 

ANDY
Well I wanted to do the technical perfections...bad technical perfections, but really do them really well. I mean so that they were perfect.