Viewing page 46 of 58

This transcription has been completed. Contact us with corrections.

7 

is of some interest to every [[strikethrough]] o [[/strikethrough]] body--no--it doesn't motivate him, but he does have a sort of sensitivity that goes out to the direction of things --what peo [[strikethrough]] O [[/strikethrough]] ple might be think [[strikethrough]] g [[strikethrough]] ing or might be advertising--it's generally, you know, sort of like a commercial thing except that it comes from this --from a kindness and an interest, not from ---but from a pure point of view that noone could [[strikethrough]] c [[/strikethrough]] possibly--no one could do anything but [[strikethrough]] o [[/strikethrough]] wonder a lot and read a lot...about it. 

INT
How does he know?

ES
It's something that...

INT
Start again.

ES
How does he know? That's something--how does Andy know. That's som [[strikethrough]] d [[/strikethrough]] ething that I just don't understand. I've watched enough-- I've seen Andy working under different conditions and at parties and things and he knows somewhere way back of all of it--way behind general convers [[strikethrough]] t [[/strikethrough]] ation that--thinking or observ [[strikethrough]] a [[/strikethrough]] ing--it's not a very (INAUDIBLE); I don't know how to describeit, but I have an implicit faith in the factthat he does know. And I really am--don't [[strikethrough]] f [[/strikethrough]] try to fool myself very much because I learned how easy that is--and it's a constant struggle, but.... he knows--can [[strikethrough]] i [[/strikethrough]] I-----I don't approve of a lot of it--a lot of the films in terms of--I don't know whether to [[strikethrough]] o [[/strikethrough]] say: I am in Andy Warhol's movies when I (INAUDIBLE). Because I then myself think--well, I've seen theatre movies and this is a good idea, but it's not