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and taught this new group Mikayel is personally key to re-introduce this folk music to young people before only fans were old people. He did this because of his love Mikayel for this instrument. At the time, this music was fading, Observed how sitar became popular as a modern form of *Tarnow used as a jazz instrument music in India, other instrument in Ireland. How to adapt this to tar (instrument). Featured the tarina Concert, was a great success. how playing in pubs, etc where young people go. Armal armenian people who see this know the story, how to adapt this to American kids. A woman grace has helped interpret the story/cultural content/libretto. Similar stories/exist in Indonesian, Indians Main message other cultures main here is usually dying and resurrects in these stories - that's why its shadow theater - because the main charra ter becomes a shadow, then comes back to life. New stories are being adapted to the old tradition Mikayel Both Tar 4 Shadow theater date for some medieveal roots Collaboration w/Arto (drummer) and the shadow theater - new performances will be how as a result of this festival. [Demo of Tar] 1.) Eshkhemend (Sayal Nova) 2.) Lusine (M. Viskanyan)