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JUNE 27-JULY 1; JULY 4-8, 2018 LOG SHEET # 6 SMITHSONIAN FOLKLIFE FESTIVAL AUDIO/VIDEO LOG SHEET LOGGER NAME: Ricky Gomez RECORDER 1 NAME: Hyurasenyak 1 FILE NAME: 109 RECORDER 2 NAME: Hyurasenyak 2 FILE NAME: 433 PRESENTER: Satenik Martchyan DATE/TIME: 7-7 4 PM PROGRAM: Armenia STAGE: Hyurasenyak GROUP NAME: SESSION TITLE: SOVIET MEMORIES & POST SOVIET PRACTICES [[2 columned table]] | PARTICIPANTS | INSTRUMENT/OCCUPATION | | --- | --- | | Aghasi Tadevosyan | Anthroplogist | | Tsovinar Hovhannisyan | Professor/Qanon Ensemble director | | Armine Poghogyan | lace maker | • Two case involving development of lace making & Qanon string instrument during Soviet and Post Soviet eras • Armine comes from small city in Armenia and lace making became prominent there in 1960s when it was beginning to be offered at school • Pre 1925 Qanon instrument was passed down by word of mouth to those who wished to learn it - After 1925 schools were opened where Qanon was taught - Primarily played by men until 1950s • Decline in Qanon use and other arts in mid 2000s but has now rebounded in part due to funding from government • lace was used for home decoration but now its being used for artistry and clothing - lace making declined in 90s but rebounded in 2000s