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JUNE 27-JULY 1; JULY 4-8, 2018 LOG SHEET #2 SMITHSONIAN FOLKLIFE FESTIVAL AUDIO/VIDEO LOG SHEET LOGGER NAME: Alison Karfeld RECORDER 1 NAME: Dance workshop 1 FILE NAME: 161.wav RECORDER 2 NAME: Dance workshop 2 FILE NAME: 363.wav PRESENTER: Jimena DATE/TIME: 7/7 1pm PROGRAM: Catalonia STAGE: Dance Workshop GROUP NAME: Cuban Connections Rumba Workshop SESSION TITLE: [[2 columned table]] | PARTICIPANTS | INSTRUMENT/OCCUPATION | | --- | --- | | Joan Gaoriga y las | galactic mariachis | | Mariavo Roch Lopez | Enrique Bastista Luna | | Joan Garriga Martinez | Sanay Batista Batista | | Juan Batista Seruole | Fuensanta Batista Roige | | Francisco Batista Clota | Palmeras | | Sinai Batista Serviole | Palmeras | Connect Romani community traditions w/ other cultures' traditions Rumba - developed in Catalonia but incorporated Vallenato, and other Latin rhythms Rumba Catalonia; trad. music of Romani community in Cat. neighborhoods in Barcelona this rythms developed by adopting Latin American rhythms and created their own form. Characteristics - very simple elements by very effective sound. [[Left margin]] There is a Mediterranean tradition of guitar playing, but rumba Catalani = ventilador style specific to gypsy Catalan [[/Left margin]] with this instrument we can do the kick/high percussion & the harmony of the music together. Rumba Very famous 1st hits of Catalana great master Paretz (little Peter). Song = Borro quito (a small donkey) Next song - same author. another. One Rumba Catalana. Particularity is the use of the palms to clap - a sequence of hand clapping - one with lower energy, one with higher. [[Left margin]] Rambo [[/Left margin]] demonstrates audience participation. Clap to rhythm of "PO-TA-TO". Second demo = 1 group is "land" the other is "ocean" (audience participation) each side does one They tend to call this rhythm of war. Song of paret (sp?) for his father, who was a salesman. [[Left margin]] *Palm accompanying trio = palmerals [[/Left margin]]