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JUNE 25-29; JULY 2-6, 2014
LOG SHEET #2
SMITHSONIAN FOLKLIFE FESTIVAL
AUDIO/VIDEO LOG SHEET
LOGGER/VIDEOGRAPHER: BILL & MARY ALDACUSHION
MEMORY CARD NUMBER - TASCAM: CPCH 20
FILE NAME: BOMA_0150.wav
MEMORY CARD NUMBER - ZOOM H2: CPCH 22
FILE NAME:
PRESENTER: PATRICK ONDIEK AGONGO
DATE/TIME: 7/4/14 11:45
PROGRAM: KENYA MAMBO POA
STAGE: BOMA
GROUP NAME: CRAFTS PAST & PRESENT
REGION/STYLE:

[[2 columned table]]
| PERFORMER(S) | INSTRUMENT/OCCUPATION |
| --- | --- |
(1) | SUSAN NASRIAN NKETORIA | BEAD WARRIOR-MAASI |
(2) | MUTUNGA JAPAETH MUNYA | WOOD CARVING |
(3) | APOLLO OMONDI OMUNARI | BASKET WEAVIN-W. KENYA |
(4) | SAMPSON | WATER HYACINTH STONE CARVING |
(5) | AHMED YUSUF SULEIMAN | PLASTER WORKS. LAMU |

CONTENTS/NOTES (continue on back):
(4) SAMPSON: LEARNED FROM HIS FATHER, STARTED MAKING FISH
(1) SUSAN: LEARNED FROM MOTHER AT 9 YRS OLD
(3) APOLLO - LEARNED FROM GRANDMOTHER, FIRST MADE ROPES THEN BASKETS. WATER HYACINTH IS CLOGGING LAKES
TURN IT INTO ECONOMIC BENEFIT
(2) JAPAETH. DOES NOT LIVE IN FARMING AREA. WOOD CARVING IS SOURCE OF INCOME. DESCRIBES PROCESS BOUGHT BY TOURISTS
(5) AHMED: HOW DOES YOUR WORK REFLECT TRADITIONS?
DIFFERENT MATERIALS TODAY VS YESTERYEAR
[CEMENT IS USED NOW - DRIES QUICKER.
IMPORTANCE OF LIME - HOT/COLD
HAS TO MEET NEEDS OF EACH CLIENT
ARCHITECTURE DRIVEN BY CLIMATE