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JUNE 25-29; JULY 2-6, 2014 LOG SHEET #2 SMITHSONIAN FOLKLIFE FESTIVAL AUDIO/VIDEO LOG SHEET LOGGER/VIDEOGRAPHER: BILL & MARY ALDACUSHION MEMORY CARD NUMBER - TASCAM: CPCH 20 FILE NAME: BOMA_0150.wav MEMORY CARD NUMBER - ZOOM H2: CPCH 22 FILE NAME: PRESENTER: PATRICK ONDIEK AGONGO DATE/TIME: 7/4/14 11:45 PROGRAM: KENYA MAMBO POA STAGE: BOMA GROUP NAME: CRAFTS PAST & PRESENT REGION/STYLE: [[2 columned table]] | PERFORMER(S) | INSTRUMENT/OCCUPATION | | --- | --- | (1) | SUSAN NASRIAN NKETORIA | BEAD WARRIOR-MAASI | (2) | MUTUNGA JAPAETH MUNYA | WOOD CARVING | (3) | APOLLO OMONDI OMUNARI | BASKET WEAVIN-W. KENYA | (4) | SAMPSON | WATER HYACINTH STONE CARVING | (5) | AHMED YUSUF SULEIMAN | PLASTER WORKS. LAMU | CONTENTS/NOTES (continue on back): (4) SAMPSON: LEARNED FROM HIS FATHER, STARTED MAKING FISH (1) SUSAN: LEARNED FROM MOTHER AT 9 YRS OLD (3) APOLLO - LEARNED FROM GRANDMOTHER, FIRST MADE ROPES THEN BASKETS. WATER HYACINTH IS CLOGGING LAKES TURN IT INTO ECONOMIC BENEFIT (2) JAPAETH. DOES NOT LIVE IN FARMING AREA. WOOD CARVING IS SOURCE OF INCOME. DESCRIBES PROCESS BOUGHT BY TOURISTS (5) AHMED: HOW DOES YOUR WORK REFLECT TRADITIONS? DIFFERENT MATERIALS TODAY VS YESTERYEAR [CEMENT IS USED NOW - DRIES QUICKER. IMPORTANCE OF LIME - HOT/COLD HAS TO MEET NEEDS OF EACH CLIENT ARCHITECTURE DRIVEN BY CLIMATE