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SAN FRANCISCO conceptual and "Body" art in the form of mirrors inscribed with such questions as "What is an Enemy?" and "What is an Original?" Terry St. John's charcoal drawings centered on nude figures posed in studio interiors, on the nuances of light and shade at different times of day, and on the cloistered, hermetic atmosphere peculiar to the artist's studio. Bill Snyder's drawings were emphatically illuminated, highly realistic, volumetric portraits of people wearing Disneyland costumes and enacting charades of benevolent banality. They were funny, and also curiously disturbing, projecting the sensation of science-fiction-style replicas who surreptitously take the place of real people and gradually gain control over everything. In one of the last issues of Life, Hugh Sidey speculated that Nixon's next four years may see the emergency of "a new culture linked to the vast middle ground of American society, which has just expressed its view." I think Snyder may be telling us something along those lines. [[image]] WENGER: Dan Snyder, untitled ceramic sculpture The Oakland Museum staged a show by four black graphic artists, two of whom were very impressive. Leon Hicks presented intaglios that alternated between densely textured abstractions suggestive of microscopic views of field grasses, and equally rich, resonantly colored studies of strongly stylized faces and heads. The spindly ink drawings of Benny Andrews were as spare as Hicks' work was complex, but their understated ghetto genre scenes were rich in both satire and pathos. The Hansen-Fuller Gallery provided the first large-scale local showing by Philip Pearlstein. It centered on his familiar paintings of studio-prop nudes, slack, flabby, relentlessly scrutinized, and irredeemable prosaic. Like any well-executed, academic exercise, Pearlstein's pedestrian works are the precise sums of their parts. If his reputation on the East Coast accurately reflects what's going on there, then the East Coast, in my opinion, is in serious trouble. ARIZONA HARLAN 18 N. TUCSON BLVD., TUCSON exhibition to be announced. (602)325-4281 mon-sat 10-5 PHOENIX ART MUSEUM 1625 N. CENTRAL AVE. Watercolors-Graphics Biennial; A University Collects -both thru Feb 11; The Art of Color Lithography-thru Mar 15 (602)-258-6164 tue-sat 10-5, wed to 9, sun 1-5 CALIFORNIA Los Angeles ANKRUM 657 N. LA CIENEGA BLVD. Africa & Extensions — Feb 9-Mar 2 (213)657-1549 mon-sat 10-5:30, mon eve 8-10 GALLERY 707 707 N. LA CIENEGA BLVD. Rita Yokoi. cactus images - thru Feb 10 Susan Gallaway. paintings - Feb 12-Mar 10 (213)652-4095 tue-sat 12-5, mon eve 7-10 Southern California GALERIE DU JONELLE 241 E. TAHQUITZ, PALM SPRINGS recent paintings by Reuvin Rubin (714)325-3732 daily 10-6, thur, fri eves San Francisco JOHN BERGGRUEN 257 GRANT AVE. Wayne Thiebaud. pastels, drawings & prints- Feb 13-Mar 12 (415)781-4629 mon-fri 9:30-5:15, sat 10:30-5 CALIFORNIA PALACE OF THE LEGION OF HONOR LINCOLN PARK prints by Shiou-Ping Liao - Feb 3-Apr 1 French Master Drawings of the 17th & 18th Centuries -thru Mar 11 (415)558-4441 daily 10-5 M.H. DE YOUNG MEMORIAL MUSEUM GOLDEN GATE PARK paintings by Henry Alexander: paintings by Henry O. Tanner -both Feb 3-Apr 1; Uncommon Clay: The English Potter Prior to the Industrial Revolution - thru Feb 25 (415)558-4374 daily 10-5 GILBERT 590 SUTTER ST. paintings & sculpture by Leonardo Nierman: French landscapes by Jean-Louis Vergne: California landscapes by Bill Gregory (415)392-4119 mon-sat 10-6, fri to 8 GILBERT GHIRARDELLI SQ. drawings, graphics & sculpture of the 19th century sun 11-6, mon-sat 11-8 HANSEN FULLER 228 GRANT AVE. Alan Shields. paintings & mixed media (415)982-6177 tue-fri 10:30-5:30, sat 12:30-5 MAXWELL 551 SUTTER ST. A Comprehensive Exhibition of American Painting (415)421-5193 tue-sat 9:30-5:15 MALVINA MILLER 3489 SACRAMENTO ST. Ray Lauzzana. oil paintings & silkscreen prints - thru Feb 10; Arthur Secunda. original collages - Feb 13-Mar 10 (415)931-3489 tue-sat 11-5 & by appt QUAY 2 JEROME ALLEY Monoprints by Joseph Goldyne (415)392-5532 tue-sat 11-6 W3
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