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a) brilliant pale as when lit by the sun (white to remain between thinly glazed colors of the spectrum and simple color mixtures as intermediate hues) b) the foregoing mixt with white (Zinc white) set this on pure white ground as slightly different hues and having less luminosity in consequence 3.) intense deep glowing tones of the spectrum colors and hues. no adding of black. Oil color advantage. 4.) greyed or broken tints (dark, somber tones) of the pure colors. a) The many pigments not as pure as the spectrum colors like venetian red, ochre, chrome oxide etc b.) The spectrum color and a) mixed with complementaries or black or black+white 4.) black and white. The Japanese have a true musical use of colors. [[strikethrough]] It has mott [[/strikethrough]] [[underlined]] Color per se is independent [[/underlined]] of all the qualities, phenomena, details (line, texture, form, etc) by which we recognize things in reality. Van Gogh is not right when he says: draw form with color: drawing and color are one. Monet is not right in giving the effect of atmosphere with color.

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