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also my theory that large masses of the various principal colors should compose the picture making for colorite, instead of for a general color-tone; enhancing each other in color, in brilliancy. The sky has always blueish, greenishblue, blueishgreen, violetish blue color. at day, when the near Earth is rose white, yellow, orange, so the lights on objects, while the horizon and distance have rose or violet or bluish. Thus the yellow pale earth lights is made more brilliant by the cool and deeper complem color of the sky, - this horizon and color of tall objects uniting both
[[image - diagram depicting colors inside a sketched rectangle: "blue green viol" in upper part correspond to "sky"; rectangle divided by a line denoted as "horiz"; "rose orange yellow" in the bottom correspond to "Earth"]]
while when the Sun is low the warm colors are in the sky. The cool hues on the Earth: [[underline]] A grand colorite [[/underline]] is divided into simple few, if not two (and one thus predominating) [[underline]] color masses [[/underline]] while [[underline]] a decorative colorite, less imposing [[/underline]] is one in which many small contrasting or analogous colormasses produce more harmony and variety than powerful unity. 
"Rubens, Rembrandt, Veronese, Hals, Tintoretto had a [[underline]] rapid style [[/underline]] of painting in bold unblended decided color-planes and energetic characteristic finishing touches". 
"From the flat coloring in of drawing pty proceeded towards rich texture of color." But to me pure musical, zauberhafte farbe seems to dispense with texture, the materialism of looking at the world. 
Erschaunen kommt aus dem Gemüte, Zuschauen ist erregt durch die Äusserlichkeit.

[[in pencil]] (137 [[/in pencil]]