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Log
| Neg. # (Start) | Neg. # (Stop) | Description | Restrictions | Description Notes | Work Order # | Requester | Department | Photog | Date | Amount | Film Type | Film Size | Photo/Repro | Additional Info |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 84-1780 | 84-1782 | 1910-33 Planes | 1056 | Leyes | Aero | HB | 01/24/1984 | 3 | BW | 4x5 | C | |||
| 84-1783 | 84-1807 | SS&E Photo Coll. | 1048 | Winter | SS&E | HB | 02/24/1984 | 25 | BW | 4x5 | C | |||
| 84-1808 | 84-1822 | Paintings by Henry Wood Elliott | 83-1483, 6869 | Dropper, Baxter | OH NAA | VEK | 01/1984 | 15 | BW | 4x5 | P | |||
| 84-1808 | 84-1822 | Paintings by Henry Wood Elliott | 83-1483, 6869 | Dropper, Baxter | OH NAA | VEK | 01/1984 | 15 | CS | 35mm | P | |||
| 84-1823 | Medals, Marksmanship, U.S. Army | 553 | Hutchins | Eisen Inst | Div | 1 | BW | 4x5 | C | |||||
| 84-1824 | 84-1825 | Illustrations, Ordinance Notes | 679 | Hutchins | Eisen Inst | DT | 02/22/1984 | 2 | BW | 4x5 | C | |||
| 84-1826 | 84-1827 | Traveling Exhibit - Scotland | 1254 | Schneide | Aero | MA | 02/28/1984 | 2 rls | BW | 120mm | P | |||
| 84-1828 | Milo Beach Asst. Dir. for Arthur M. Sackler Gallery | 1123 | Bliss | OPA | Commer. Photo. | 1 rl | BW | 120mm | P | |||||
| 84-1829 | 84-1833 | Pol. His. Campaign Ribbons | 488 | Strader | SI Bks | KN | 01/27/1984 | 5 | BW | 4x5 | P | |||
| 84-1829 | 84-1833 | Pol. His. Campaign Ribbons | 488 | Strader | SI Bks | KN | 01/27/1984 | 5 | CT | 4x5 | P | |||
| 84-1834 | 84-1845 | Toy Steam Ships & Boilers, Pat. Off. Models, Etc. | 412 | Worthington | M&CE | BG | 01/30/1984 | 12 | BW | 4x5 | P | |||
| 84-1846 | 84-1847 | Austrian President Kirchschlaeger | 1101 | Cole | RAP | JP | 02/28/1984 | 2 rls | BW | 35mm | P | |||
| 84-1848 | Officer Myron Marlow, Company F, Silver Hill Complex | 1016 | Bento | OPS | JP | 02/27/1984 | 1 rl | BW | 35mm | P | ||||
| 84-1849 | 84-1851 | Chinese Triptych | Restricted | 700 | Knight | Med Sc | KN | 02/13/1984 | 3 | CT | 4x5 | P | ||
| 84-1852 | 84-1853 | Emcased Ambrotypes | 664 | Tolbert | Trans | BG | 02/28/1984 | 2 | BW | 4x5 | P | |||
| 84-1854 | 84-1855 | Encased Tintypes | 665 | Tolbert | Trans | BG | 02/28/1984 | 2 | BW | 4x5 | C | |||
| 84-1856 | 84-1859 | Larry Hagman Hat Presentation | 1112 | Langrall | OPA | JT | 02/28/1984 | 4 rls | BW | 35mm | P | |||
| 84-1860 | 84-1862 | Larry Hagman Hat Presentation | 1112 | Langrall | OPA | JP | 02/28/1984 | 3 rls | BW | 35mm | P | |||
| 84-1863 | 84-1873 | Japanese Culture | 7098 | Stuckenrath | Anthro | VEK | 12/1983 | 11 | BW | 4x5 | P | |||
| 84-1873 | Portrait Commodore Perry - Block Print | 7098 | Stuckenrath | Anthro | VEK | 12/1983 | 1 | CT | 4x5 | P | ||||
| 84-1874 | "Spirit of Texas" Exhibit | 416 | Owens | NASM | JPV | 02/03/1984 | 1 rl | BW | 35mm | P | ||||
| 84-1875 | Navajo Silver Smith | 7318 | Stuckenrath | Anthro | VEK | 12/1983 | 1 | CS | 35mm | P | ||||
| 84-1876 | 84-1878 | Kim Habraken & Margaret Grady - NASM Stress Lab | 1179 | Langrall | OPA | KN | 02/29/1984 | 3 rls | BW | 35mm | P | |||
| 84-1879 | 84-1901 | Mineral Specimens | see also 84-2272-73 | 84-049, 333 | Dietrich, White | Min. Sc. | DP | 01/25/1984 | 23 | CS | 35mm | P | ||
| 84-1902 | Carol Lockhart - Garber Facility | 1086 | Langrall | OPA | JP | 02/27/1984 | 1 rl | BW | 35mm | P | ||||
| 84-1903 | Dee Frederick, Nurse, Employee Counseling HMSG | 1113 | Langrall | OPA | JP | 03/01/1984 | 1 rl | BW | 35mm | P | ||||
| 84-1904 | Award Presentation - Security Personnel | 1017 | Bento | OPS | KN | 02/29/1984 | 1 rl | BW | 35mm | P | ||||
| 84-1905 | SI Castle w Full Moon (Composite) | 1 | CT | 4x5 | P | |||||||||
| 84-1906 | 84-1917 | Items from Roland Stabler Coll. | 774 | Langley | Nav. His. | JW | 02/29/1984 | 12 | BW | 4x5 | C |
Transcription Notes:
84-1852 to 84-1853 Descr. Emcased was transcribed as written
Please note that the language and terminology used in this collection reflects the context and culture of the time of its creation, and may include culturally sensitive information. As an historical document, its contents may be at odds with contemporary views and terminology. The information within this collection does not reflect the views of the Smithsonian Institution, but is available in its original form to facilitate research. For questions or comments regarding sensitive content, access, and use related to this collection, please contact transcribe@si.edu.
