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is a big husky man, all aglow, apparently stepping out of a bathtub.  The catalogue calls it the Resurrection!  That is much the best picture.  There is nothing noble about the figure but it is a relief to see Christ represented as a man, instead of the drooping "sissy" they all present as the Christ.  the other pictures are from unpleasant to revolting.  Rubens is the great great grandfather of the makers of those disgusting and evil pictures so common in front of movie theaters, showing men offering violence to shrinking women.  The old masters have a weakness for that theme with their Susannas and Sabine women, but Rubens dotes on it.  There are pictures of satyrs capturing nymphs, that are positively evil--the talented beast painted them in a glow of passion.  Altogether the ^[["]] [[strikethrough]] 2 [[/strikethrough]] old masters" are a great disappointment.  But the Roman marbles are a joy.  History tells us that the old Romans were immoral--well, their art does not show it as that of the old masters shows the depraved state of the pious humbugs of medieval Italy--not that Rubens was Italian!  Many of the Roman sculptures are in perfectly good condition.  The portrait busts are alive.  Vespasian has a thin-lipped skeptical smile so like my brother's I had to return his smile.  The Roman matrons might attend any "Woman's Auxil[[strikethrough]] 1 [[/strikethrough]]iary" or literary society in the [[strikethrough]] last decade of the 90s [[/strikethrough]] 1890's and not look out of date in hair dressing or otherwise. I would have been glad to spend all day with those sculptures.  I left the galleries on the other side of the river and with my little map attempted to find my way back to the hotel.  The streets run every which way and end in blind alleys, so I got mixed up.  I tried to ask where a bridge was^[[,]] or the river.  I did not know the word for river, but I said "pont" without result.  Then I showed some boys a picture postcard of the river and bridge and repeated "pont".  Yes, they assured me it was a