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[[bold]] theatre round-up [[/bold]]

[[bold]] New York [[/bold]] celebrates this 400th anniversary of the Bard's birth by welcoming the star-studded new production of [[italics]] Hamlet [[/italics]], directed by Sir John Gielgud and offering Richard Burton as the doomed Dane. In addition to such talented veterans as Alfred Drake, Hume Cronyn, Eileen Herlie and Barnard Hughes, it features a remarkable young ophelia in Miss Linda March. Shakespeare addicts will also have a chance to view two splendid productions of [[italics]] King Lear [[/italics]] (with Paul Scofield in the title role) and [[italics]] Comedy of Errors [[/italics]] in May w hen the Royal Shakespeare Theatre Company arrives at Lincoln Center's virginal New York State Theatre. 
     Four nights after Burton blooms on Alexander Cohen's ersatz Elsinore, Paul Newman and Joanne Woodwards open in a new comedy titled [[italics]] Baby Want A Kiss [[/italics]]. Written by James Costigan and produced by the Actors Studio Theatre, it is a saga of two Hollywood luminaries who visit a recluse writer. On stage as the scribe will be none other than Mr. Costigan. 
     The National Repertory Theatre, currently on a cross-country tour, brings two of its 1963-64 productions to Broadway this month. Under the auspices of ANTA, a four-week limited engagement opens on Sunday, April 5th, at the Belasco Theatre. The two plays to be offered are Onton Chekhov's [[italics]] The Seagull [[/italics]], adapted and directed by Eva LeGallienne, which opens April 5th, and Arthur Miller's [[italics]] The Crucible [[/italics]], directed by Jack Sydow, opening the next evening, Monday, April 6th. Thereafter the two plays will alternate. 
  New York will see two more big musicals this spring, both on theatrical subjects and both set in the 1930s. The first, arriving April 20th, it [[italics]] Cafe Crown [[/italics]], starring Sam Levene and Theodore Bikel. It deals with a family-managed Yiddish-speaking theatrical troupe on Lower Second Avenue. Local artists and intellectuals congregate in the restaurant of the title -- Levene as a prosperous restaurant busboy with the instincts of an art patron, Bikel as the patriarchal leader of the theatrical troupe. The musical derives from Hy Kraft's 1942 comedy of the same name, and is the second this season written by a playwright as an adaption of his own earlier work. (N. Richard Nash transformed his [[italics]] Rainmaker [[/italics]] into the current musical [[italics]] 110 in the Shade.)
  The Second theatrically-oriented musical en route (opening May 26) is [[italics]] Fade Out - Fade In [[/italics]], starring dynamic Carol Burnett. Miss Burnett and Scenic Tina Louise play young New York

BELOW LEFT: [[italics]] Paul Scofield in [[/italics]] King Lear

BELOW RIGHT: [[italics]] Stanley Holloway and Sheila Sullivan rehearsing for [[/italics]] Cool Off!

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