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Who's Who in the Cast

TERRY ALEXANDER (Johnny Williams) was seen in his present role for several months during the long New York run and on tour. He comes from Detroit where he attended Wayne State University, majoring in Theatre-Speech. At Wayne State he appeared in The Royal Hunt of the Sun and Sign In Sidney Brustein's Window. He appeared off-Broadway in G. Tito Shaw's Guerra in which he played the lead role. On television he was seen in Admission and Discharge and Not By The Sword.

PHILIP THOMAS (Gabe) was born in Columbus, Ohio and was raised in the Watts section of Los Angeles and in San Bernardino. He ran with a gag which called itself the Black Mafia until he was fifteen and then became a youth minister in store-front churches and the Delman Heights branch of Aimee Semple McPherson's Four Square Gospel during an ascetic period of five years. He worked his way through his first year at Oakwood College in Huntsville, Ala., a Seventh Day Adventist ministerial college, as a barber. He has also worked as a short-order cook, janitor, carpenter and inspector at Kaiser Steel. He made his theatrical debut as Hud and Berger in the San Francisco company of Hair, in which he played for eighteen months. He joined No Place To Be Somebody in San Francisco in his present role and also appeared in the Detroit company of the play.

MARY ALICE (Cora) makes her Broadway debut in this production. She recently played Cora in No Place To Be Somebody in Detroit. Miss Alice has appeared in A Rat's Mass and Street Sounds at the Cafe La Mama. At the New Theatre, earlier this year, she created the role of Mrs. Evan in Monkey, Monkey, Bottle of Beer, How Many Monkeys Have We Here? She made her off-Broadway debut in Wole Soyinka's The Trials of Brother Jero and The Strong Breed. Mary Alice's experience includes repertory at the Arena Stage Theatre in Washington, where she was fortunate to be the late Frank Silvera's Cordelia; The Theatre Company of Boston as Virtue in The Blacks; and a summer at Eugene O'Neill's Playwright's Conference. Her television credits include On Being Black: Basis of Need (NET). Miss Alice studied at the Negro Ensemble Company under Lloyd Richards, Kristin Linklater and Louis Johnson. She hails from Chicago.

HENRY BAKER (Melvin Smeltz) acted the roles of White Bird and Beast Man in Cities in Bezique and the Tiger Priest in the rock opera, Sambo, both at the Public Theatre. He has appeared on Broadway in Her First Roman, The King and I, Caligula and Kismet. Mr. Baker has toured in productions of Porgy and Bess and Roar of the Greasepaint, Smell of the Crowd, and appeared in the film The Girl on a Chain Gang. Henry Baker returns to the role he created in New York after playing in The Tempest in Washington D.C.

JULIUS W. HARRIS (Sweets Crane), a native of Philadelphia, was a member of the Negro Ensemble Company for two seasons, and appeared in God Is a Guess What?, Strings, Man Better Man and Harangues. His first film was Nothing But A Man, for which the casting director was Charles Gordone, author of No Place to Be Somebody. He has since acted in the films The Incident, You're a Big Boy Now, The Lost Man, and the soon-to-be-released Harry and The Husbands. He has been seen on TV in The Hawk and N.Y.P.D.

ELAINE KERR (Dee Jacobson) is a repertory bred actress. During the past five years she has been a resident actor at the Studio Arena Theater in Buffalo, the Penn State Festival, Atlanta Arts Alliance, and the past two season at the New Orleans Repertory Theater where under the direction of June Havoc she won critical acclaim for her portrayal of Blanche DuBois in Streetcar Named Desire. She was known as well for her versatility in comedy and singing. She was Jenny Diver in Three Penny Opera in Atlanta, then Lucy Brown in Three Penny Opera in New Orleans. She has appeared as Ellen in Luv, Viola in Twelfth Night, Miss Gilchrist in The Hostage, Kay in Oh, Kay, and most recently Rosalind in As You Like It. Although she appeared as Cassandra in the Circle-in-the-Square production of Trojan Women, her role as Dee Jacobson marks her Broadway debut.

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