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Thursday Nov 7th- Koyoten Cenforms [[note in side margin]] - 6 1. seven 9 abt 30 large [[??]] [[?]] [[?]] figures, [[?]] flowers shows persistence of Kan idea as [[d?]] for [[?]] [[line across page]] 2 gold raised pair, with 6 gold sh[[?]] with K's [[writing?]] - This has much more Kanorist [[looking??]] in the large good ptgs. Cr. [[?]] - gold [[?]] The gold ptg under the [[She??]] writing is also Koyotan Am not so sure about the [[Kanoto??] [[?]] But no Kano is against [[??]] from draughtsman Could the gold work on gold be [[h?]] Saladin & Kano type? The silver & gold painting of the [[?]] on the [[?]] is dubious great [[?]] [[?]] | [[?]] [[changes?]]. the total concept [[underlined]] must be [[underlined]] K. [[end page]] [[start page]] Must have deliberately contrasted the [[nrasth?]] [[underlined]] small ptg. [[underlined]], with the [[Kan?]] [[underlined]]method[[underlined]] is good. Did it clearly for dramatic contrast. The Kan work is of the period of [[Tanyu's?]] father, & Yusho. gold color of whole [[incredible?]], also [[spray?]]- [[spitting?]] of [[shtostic??]] [[line]] 2 pair [[ 6 ?]] Other fan screen, water & rock in gold = rocks like Solatan Kor[[??]]. Water at [[??]] [[?]] from spotting of rained [[??]] gold Here are ten figures seeing after the great Masters - (not all alike 5 in the fre[[?]]s. Here also are from Kanoist opaque flowers on [[gobl?]] Also transition of then to Toraist enlarged as the iris & also transition to realistic flatten of [[impesto?]] without outline. One can here actually see the ground, or of Solatan, out of Kano, into Tora.