Viewing page 15 of 73

This transcription has been completed. Contact us with corrections.

good light
All seems [[?? ?? ??] in this gallery - 

[[line]]

Koni - 2 wooden doors of 4- horsemen approaching Fuji. Fuji's blue [[?]] over silver grnd

figures have fine Koni convention
no Solatan's feeling here

Koyetan becoming Koni

[[line]]

[[Matanat?]] Shi[[?]] 2 panel
in drawing, like the Solatan style of Koni.
[[with a technique?]] more opaque than S. as if he found it hard to handle transposing over gold, and give it life.

It is this uncertainty that gives it [[? ?]].

[[end page]]
[[start page]]

In comparison with this the new [[?]] 2 panel by Solatan. 
Op[[?]] similar, how the flower drawing, notably [[morg gloris?]] far finer in the S. 
far greater line continuity, too.

[[line]]
[[Now Kar?]] of the 4 men of the Koyetan Koni school.

Small Koyeti flower like [[st??]] - gold & silver K[[?]] 
[[?? ??]] Mtns
Sprays like S. realistic soft-
[[?]] from Kani [[?? ??]]
less loc[[?]] than Sl[[?]] a s[[?]]
less Kanoist than K[[?]] on ground of S[[?]]
(similar [[?]]!)