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Character on the side of the actors

male [[underlined]]The individual[[/underlined]]

female or male [[bracket]][[underlined]]The subjectivist - [[strikethrough]]Egoist[[/strikethrough]][[insertion]]Bohemian[[/insertion]] ind[[??]]- 

? male [[bracket corresponding to next two entries]]
[[underlined]]The honest crank,[[/underlined]] objective, but hasty.
[[underlined]]The Socialist reformer.
 Anarchist.[[/underlined]]

female The Aesthetic idealist - 



[[underlined]] A List of opposition.[[/underlined]]

female | The Social leader, who fears what may be "talked"

female | The Puritan [[?]]- 

male | The Employer of labor who dictates political trend of his laborers. politician

female | The B[[??]] by nature & educators.

male | The Newspaper man who deifies the average.

male | The educationalist, who Gra[[?]s.

male | The Scientific pedant.



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These characters must be distributed through male & female. It is between these pairs that the love [[?]] must develop.

The dramatic element shall lie in part [[strikethrough]]between[[/strikethrough]][[insertion]]in[[/insertion]] the opposition of the several advocacies of each, to their love interests. We should thus have love used, partly as an instrument in overcoming extremes of character, partly as the core of the [[strikethrough]][[?]][[/strikethrough]] tragic intent. 

I.E.

[[underlined]]individuality[[/underlined]] opposite [[underlined]]conformity[[/underlined]]

[[underlined]]individuality[[/underlined]] opposite [[underlined]]love interest[[/underlined]]

[[underlined]]love interest[[/underlined]] opposite [[underlined]]conformity[[/underlined]]


But we must be careful not to let [[underlined]]love[[/underlined]] & [[underlined]]individuality[[/underlined]] degenerate into 2 separate themes, loosely [[??]] -- as Jones had two in "[[??]]  they must be ob[[??]]ly one.