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33. [[underlined]] NCFA ACCESSIONS, CALENDAR 1979, continued [[/underlined]] FRED SHANE | [[underlined]] Farm in the Rockies [[/underlined]] | lithograph | Bequest of Frank McClure WILLIAM SHARP | [[underlined]] Waterlilies [[/underlined]] | color lithograph | Museum Purchase (Childs Gallery) EVERETT SHINN | [[underlined]] Nude Getting into Bath [[/underlined]] | monotype | Museum Purchase (Graham Gallery) FLORENCE SOVEL SHINN | [[underlined]] Mrs. Eichorn Came Early [[/underlined]] | pen, ink, and pencil drawing | Museum Purchase (Robert Schoelkopf Gallery) IRENE SEIGEL | [[underlined]] Beginnings of Order, Footnote Drawings [[/underlined]] | pencil and colored pencil on paper | Gift of S. W. and B. M. Koffler Foundation ROBERT SINGLETARY | [[underlined]] Fog on the Chesapeake [[/underlined]] | ink, pastel and fixative | Gift of Preston Greene - | [[underlined]] Snow on the Chesapeake [[/underlined]] | " " " " | " " " " JOHN C. SIRICA | [[underlined]] Goya [[/underlined]] | drypoint | Bequest of Frank McClure SIXANCE | [[underlined]] To fly, to fly [[/underlined]] | etching | Bequest of Frank McClure JEANETTE PASIN SLOAN | [[underlined]] Silver Bowls [[/underlined]] | color lithograph | Museum Purchase (Landfall Press, Inc.) JOHN SLOAN | [[underlined]] Hell Hole [[/underlined]] | etching and aquatint | Bequest of Frank McClure | [[underlined]] Bandits Cave [[/underlined]] | etching | " " " " | [[underlined]] The Women's Page [[/underlined]] | " | " " " " | [[underlined]] Turning Out the Light [[/underlined]] | " | " " " " | [[underlined]] Sixth Avenue, Greenwich Village [[/underlined]] | " | " " " " | [[underlined]] Reading in the Subway [[/underlined]] | " | " " " " | [[underlined]] The Green Hour [[/underlined]] | " | " " " " | [[underlined]] Nude on Posing Stand [[/underlined]] | etching and aquatint | " " " " | [[underlined]] Sunbathers on the Roof [[/underlined]] | etching | " " " " | [[underlined]] The Wake on the Ferry [[/underlined]] | " | " " " "
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Per Smithsonian: "For math or columned format, avoid using the double brackets as much as possible."