This transcription has been completed. Contact us with corrections.
SI-FP-1980-RR-279 Date: Oct.8,1980 Stage: Food Preservation Stage 4- Perf. Jimmy Lee Harris continued Reel- 2 Song# 4) All nite [Night] long *(very beginning not on tape) tech- Nick Hawes Guitar & Vocal 5) John Henry Guitar & Vocal 5- Performers: Phil + Gordon Tanner Fiddle (Father + son) [son and father] Songs: 1) Flamp [[Flame?]] haired mule [Flop Eared Mule] Phil gtr Gordon [[downwards arrow]] fiddle, vcl 2) Liberty Phil gtr gordon fiddle, vocal 3) Down Yonder Phil gtr gordon fiddl,vocal 4) Arkansas Traveler Phil gtr gordon fiddle, vocal 5) Battle of New Orleans Phil gtr gordon fiddle, vocal 6) Soldiers Joy[[?]][Soldier's Joy] Phil gtr gordon fiddle 7) Old [[strikethrough]] Old Me [[/strikethrough]] Mule wo [Whoa Mule] 8) Billy & the low ground [Billy in the Lowground] 9) listen to me mockingbird [Listen to the Mockingbird] vocal 6- Performers: Reel#2 Nick Hawes Mrs. Jewel Bryan Mrs. Minnie Davis (S.Georgia) - Presenter: Gerri Johnson 1st Speaker: Mrs. Bryan Narrative- [[strikethrough]]"Butter Making" [[/strikethrough]] Dairy Products Butter Ice Cream Cottage Cheese tape runs out Continued on Reel #3
Not sure how to include arrows On song 7 - old mule is above a strikethrough, not sure how to signify this change. There is a strikethrough of the word "butter [[?]] under the word narrative, not sure how to signify this change. KraussMouse: I feel the arrow was transcribed correctly. Done as though it were a “ditto” mark. Also, per general instructions, I addressed the strike though issue by editing appropriately.
Please note that the language and terminology used in this collection reflects the context and culture of the time of its creation, and may include culturally sensitive information. As an historical document, its contents may be at odds with contemporary views and terminology. The information within this collection does not reflect the views of the Smithsonian Institution, but is available in its original form to facilitate research. For questions or comments regarding sensitive content, access, and use related to this collection, please contact email@example.com.