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CREDITS
Scenery by Hudson Scenic. Lighting by Fourth Phase Lighting. Sound by Sound Associates. Men's costumes built by Savoia. Women's costumes built by Adrienne Wells. Sweater by Adele Recklies. Wigs provided by
The Broadway Wig Company. Rehearsed at the New
42nd Street Studios.

Self-playing Yamaha Disklaviers
courtesy of Yamaha Artist Services.

MUSIC CREDITS
"Ma Rainey's Black Bottom" and "See See Rider"
(written by Ma Rainey); "Hear Me Talking to You" (written by Louis Armstrong); "Trust No Man" (written by Lillian Hardeway Henderson); "Doctor Jazz" (written by Joseph Oliver/Walter Melrose). Used by permission of Universal Polygram International Music Publishing, Inc. All rights reserved.

The Producers wish to extend a special thank you to
HSBC Bank for its Opening Night sponsorship.

THE ACTORS AND STAGE MANAGERS EMPLOYED IN THIS PRODUCTION ARE MEMBERS OF ACTORS' EQUITY ASSOCIATION, THE UNION OF PROFESSIONAL ACTORS AND STAGE MANAGERS IN THE UNITED STATES.

Backstage and Front of the House Employes
are represented by the International Alliance of
Theatrical Stage Employes (or I.A.T.S.E.).

The Director is a member of the Society of Stage Directors and Choreographers, Inc.,
an independent national labor union.

United Scenic Artists represents the designers
and scenic painters for the American Theatre.

The Press Agents, Company and House
Managers employed in this production
are represented by the Association of Theatrical Press Agents & Managers.

THE SHUBERT ORGANIZATION, INC.
Board of Directors
Gerald Schoenfeld
Chairman
Philip J. Smith
President
John W. Kluge
Lee J. Seidler
Michael I. Sovern
Irving M. Wall

Robert E. Wankel
Executive Vice President
Peter Entin
Vice President - Theatre Operations
Elliot Greene
Vice President - Finance
David Andrews
Vice President - Shubert Ticketing Services
John Darby
Vice President - Facilities

Shubert Ticketing Services
Tele-charge: (212) 239-6200/(800) 432-7250
Shubert Group Sales: (212) 239-6262
Tickets online: www.telecharge.com

House Manager................Billy Mitchell

Exterior Metals Maintained by Remco Maintenance Corporation.

WARNING
The photographing or sound recording of any performance or the possession of any device for such photographing or sound recording inside this theatre, without written permIssion of the management, is prohibited by law. Violators may be pinIshed by ejection and violations may render the offender liable for money damages.

FIRE NOTICE: The exit indicated by a red light and sign nearest to the seat you occupy is the shortest route to the street. In the event of fire or other emergency please do not run - WALK TO THAT EXIT. Thoughtless persons annoy patrons and endanger the safety of others by lighting matches or smoking in prohIbited areas during the performances and intermissions. This violates a city ordinance and is punishable by law.

FIRE COMMISSIONER

EMERGENCY RESUSCITATION EQUIPMENT
Resuscitation masks and latex gloves are located at the ticket taker's stand in the theatre lobby.
LEARN CPR. For information contact the American Red Cross and the American Heart Association.

look who's talking
Theatre people talk shop

[[Image]]
Joan Marcus
Movin' Outs is "a story told without language. Yes, there are Billy's lyrics, but it's told through a different medium. We don't want audiences to come in expecting a standard Broadway musical. There's a narrative, but there are no book scenes. The movement and the action tell the story-the experience, the emotional resonance, comes from action rather than language"
Director-choreographer Twyla Tharp
(shown with composer Billy Joel)
on her concept for Movin' Out

[[Image]]
"I started to wonder whether it would be possible to take this great score and try to create my own story about the joys and costs of assimilation. But I wanted to do it in 'collaboration,' so to speak, with these two great giants from the past, and also return more to the spirit of the original C.Y. Lee novel"
David Henry Hwang on writing the new book for Rodgers & Hammerstein's Flower Drum Song

Harvey Fierstein on bringing out his female side in Hairspray

"Yes, that's the danger. Not to have Edna seen as a drag queen. You have to take her as a woman. That's my character. A lot of times I'd like to do something funny and campy, but I mustn't. I have to be very careful. I have to keep that balance."
[[Image to right]]
Paul Kolnik