Viewing page 161 of 166

This transcription has been completed. Contact us with corrections.

DANCING GIRL.
(340)

The principal class of dancing women in Sind is called Kanyari. Each has her own house, and is usually married pro forma to one of her musicians; but all are courtezans. Dancing women attend, as an indispensable part of the ceremony, all festive rejoicings public and private, and are rewarded according to their skill and reputation. A first rate performer will expect as much as hundred rupees (£10) for an evening's performance, and few fall below ten rupees, or £1.  Very frequently the master of the feast calls up a girl with whom he has been pleased, and gives her a few rupees.  She then goes round the company, and frequently collects a large sum, as it is a point of etiquette for every on to give something.  As the Kanyari amass money, they invest it in gold and silver ornaments, and  thus some of them acquire large properties which descend to their successors.  They are generally well and handsomely dressed, and are very clean in their persons; nor are they much addicted to intoxication, considering the lives they lead.  No women in Sind are, however, more particular on the observance of religious rites and ceremonies.
    The figure represented is in undress.  She wears the ordinary under shift embroidered, full loose trousers, and a scarf over all.  On her arms are the curious ivory rings, which reach from the wrist nearly to the elbow, and are worn instead of the glass bangles used by the women of India.  These ivory rings are common to most classes of women in Sind, and are similar to those worn only by Brinjaree women in India. On her ancles she has heavy gold or silver bangles, worn over her trouser.