Viewing page 399 of 442

Page 398.

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         Whistler (underlined) continued:

S.I. 528. Whistler Exhibition - Paintings in Oil& Pastel. Metropolitan Museum of Art, New York, March, 1910.
2 paper-covered copies, with frontispiece illustration.

S.I. 529. Collection of Works by James McNeill Whistler. Exhibited in the National Gallery, London, July-Oct. 1912.
3 paper-covered copies.

S.I. 530. Etchings by J. McNeill Whistler.
Introduction by Frederick Wedmore (underlined)
Obach & Co., London, 1903.
3 paper-covered copies - 1 copy with notations by C.L.F.

S.I. 531. Loan Exhibition of Works by James McNeill Whistler.  To aid the Professional Classes War Relief Council.
Colnaghi and Obach, London, June-July 1915
1 paper-covered copy with frontispiece illustration.

S.I. 532. Palais de l'Ecole des Beaux Arts.
Exposition des Oeuvres de James McNeill Whistler
Paris, Mai, 1905. 6 paper-covered copies - 1 copy with pencil notations by C.L.F., marked "Working copy."

Whistler Reserved 32.  Forty reproductions of Whistler's work & text by M. Benedites
James McNeill Whistler - Exhibition held in Paris May-June 1905.

S.I. 533. Tableaux, Pastels, Dessins, Pointes seches par J. MacNeill Whistler. Paris, Hotel Drouct.Sale, November, 1903.
1 paper-covered copy, illustrated, with notations.

S.I. 534. Etchings, Dry Points and Lithographs by Whistler.
Introduction and notes by Joseph Pennell. (underlined)
Albert Roulliers Galleries, Chicago, March-April, 1912.
1 paper-covered copy

S.I. 535. Royal Scottish Academy Exhibition, Royal Academy Galleries, London, 1904.
2 paper-covered copies, 1 with notations.

               Whistler-continued:









Transcription Notes:
writing "(underlined)" is unnecessary, underlines do not need to be marked

Please note that the language and terminology used in this collection reflects the context and culture of the time of its creation, and may include culturally sensitive information. As an historical document, its contents may be at odds with contemporary views and terminology. The information within this collection does not reflect the views of the Smithsonian Institution, but is available in its original form to facilitate research. For questions or comments regarding sensitive content, access, and use related to this collection, please contact transcribe@si.edu.